By Susan Mallery
Former undies version grew to become entrepreneur Clay Stryker has enjoyed, tragically misplaced and vowed that he'll by no means threat his center back. After making his fortune, the youngest of the rugged Stryker brothers returns to Fool's Gold, California, to place down roots on a ranch of his personal. yet he's annoyed to find that even in his fatherland, humans see him just for his world-famous…assets.
Firefighter Chantal (Charlie) Dixon grew up an unsightly duckling beside her delicately attractive mom, a sense strengthened some time past by way of a guy who left soul-deep scars. Now she has solid pals, an outstanding task and the itch to begin a family—yet she can't circulation towards the longer term whereas she's haunted via painful memories.
Clay reveals an unforeseen best friend, and unforeseen temptation, in tomboyish Charlie, the single one that sees past his staggering beauty to the genuine guy underneath. but if Charlie involves him with an indecent suggestion, will they have the ability to triumph over their pasts and discover a love that lasts past one exceptional summer season?
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Additional resources for All Summer Long (Fool's Gold, Book 9)
Griffith plays up the infatuation side, with Judith (Blanche Sweet) parading before Holofernes (Henry B. Walthall) in clothes more reminiscent of 1914 than the sixth century BC, but deepens the heroine’s character by adding occasional doubts as she puts her plan into 31 operation; such human details are also to be glimpsed in the battle-scenes, and show Griffith already appreciating that ‘epic’ means much more than just ‘spectacle’. Fernando Cerchio’s Head of a Tyrant (Giuditta e Oloferne, 1960) takes this idea one step further by having both protagonists fall in love, thus emphasising the horror of Judith’s plan, the Assyrian general’s decision to massacre the people of Bethulia, and the woman’s desperate act of hacking off his head.
Similarly, the great Icelandic sagas of the twelfth and thirteenth centuries contain a mixture of the Pagan and Christian: the Laxdsela Saga starts in the Age of Settlement and spans the adoption of Christianity in AD 1000; Njal’s Saga is more directly concerned with the effects of Christ ianity on its protagonists. 12 AN EPIC BY ANY OTHER NAME So dim is the boundary between such 'religions’ that one is often tempted to spell Christianity with a small c. Even in the fourteenth-century Sir Gawain and the Green Knight it is more the spirit, rather than the letter, of Christianity which informs the hero’s actions, although by now the stark realism of Norse and Anglo-Saxon literature is being tempered by the influence of Romance poetry.
The Birth of a Nation (1915) and Intolerance (1916) proved America’s technical capabilities and included historical flashbacks to 17 boot. In 1922 Hollywood, looking for more cast-iron successes, started to reconsider Lew Wallace’s BenHur, and after many travails Metro-GoldwynMayer’s version, shot in Rome, emerged at the end of 1925 directed by Fred Niblo. It was a huge commercial success, banned in China and Italy for political reasons (Mussolini was angry that Messala, as the true Roman, was beaten by the Jew Ben-Hur).
All Summer Long (Fool's Gold, Book 9) by Susan Mallery